TYRFINGUR TYRFINGSSON
Playwright
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TYRFINGUR TYRFINGSSON
an award winning playwright
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TYRFINGUR TYRFINGSSON
Tyrfingur Tyrfingsson (born 1987) is an award-winning Icelandic playwright whose works have been performed in Iceland, Europe, and North America. Born and raised in Kópavogur, Iceland—the town where all his plays are set—Tyrfingur studied at the Iceland University of the Arts, Janáček Academy in Brno, Czech Republic, and Goldsmiths, University of London. His plays have been staged at several theatres, including the Reykjavík City Theatre, the National Theatre of Iceland, the Stefan Żeromski Theatre in Poland, the KOM Theatre in Helsinki, and the Théâtre de Quat’Sous in Montreal, Canada. His works have also been featured at renowned festivals, including the Avignon Festival and La Mousson d’été in France.
Tyrfingur’s breakthrough came with his graduation piece, Grande (2011), which earned him recognition in Reykjavík and a nomination for the Icelandic Performing Arts Awards (Gríman). This was followed by Blue Eyes, which premiered at the Reykjavík City Theatre and led to his appointment as a resident playwright. The French translation of Blue Eyes, titled Bleus, was featured at the Avignon Festival in 2018 and La Mousson d’été in 2019. His play The Potato Eaters received critical acclaim, with Icelandic critic Jakob S. Jónsson hailing Tyrfingur as Iceland’s preeminent playwright. The play was featured at Théâtre 13 in Paris during the Island, terre de théâtre festival in 2019, performed at the Panorama Roma Festival in 2020, and streamed by the Drama Theatre of Warsaw (Teatr Dramatyczny). A Dutch translation, De Aardappeleters, was published in 2021, followed by an Italian edition, I mangiatori di patate, in 2022.
In 2020, Helgi Comes Apart premiered at the Reykjavík City Theatre to rave reviews, with critics praising Tyrfingur’s ability to “raise the audience’s blood pressure.” The play was selected by the Bureau des Lecteurs de la Comédie-Française in 2021 and won Play of the Year at the Gríman Awards in 2020. A French translation, Quand Helgi s'est tu, was published in 2021, and the play was featured at Festival Regards Croisés in Grenoble in 2023. In 2024, it was performed at the Stefan Żeromski Theatre in Kielce, Poland, with a premiere scheduled at the Théâtre de Quat’Sous in Montreal in April 2025.
Tyrfingur’s Seven Fairytales of Shame ran for a year at the National Theatre of Iceland, receiving 12 Gríman nominations and winning 6 awards, including Play of the Year. The play premiered at the KOM Theatre in Helsinki in September 2024, where it sold out 45 performances. His latest work, Lúna (English title: The Beauty Show), premiered at the Reykjavík City Theatre in January 2024 and is currently running. In spring 2024, The Beauty Show was named one of the fifteen most interesting contemporary plays in the world by an international committee under Theater Info in Helsinki and will be featured in the upcoming edition of Playwrighting with Purpose, published by Routledge.
Beyond theatre, Tyrfingur has made contributions to film and television. His first film script, Villibráð (co-written with director Elsa María Jakobsdóttir), premiered in January 2023 and became the highest-grossing Icelandic film in history. He was also the co-creator and writer of the TV series Descendants, produced by Lumière in Belgium and Freyja Film Works, which was nominated for the Nordisk Film & TV Fond Prize at the Gothenburg Film Festival in 2024.
Tyrfingur’s plays have been translated into German, Polish, French, English, Finnish, Italian, and Dutch, and published in book form in several countries. A three-time Gríman winner, Tyrfingur Tyrfingsson is a leading voice in contemporary theatre. He currently lives in Amsterdam.
RIGHTS & REPRESENTATION
Nordic Drama Corner
Performing Rights & Interest in Reading the Plays
T: +358 405706570
T: +31(0)20 6943399
Maison Antoine Vitez:
https://www.maisonantoinevitez.com/fr/auteurs-traducteurs/tyrfingsson-1285.html
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SEVEN FAIRYTALES OF SHAME
Opening Night: 1. April 2022
Þjóðleikhúsið
The National Theatre of Iceland
Director: Stefán Jónsson
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SIX GRÍMA AWARDS
Seven Fairytales of Shame won six Gríma awards, including "Play of the Year" at the 2022 Gríma Awards Ceremony.
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HELGI COMES APART
Helgi Comes Apart is a play about a couple of swindlers (a father and son) in the funeral business in the town of Kópavogur and how one day a Greek tragedy starts happening to them.
Director: Stefán Jónsson
The Reykjavík City Theatre
★★★★
(S.B.H. Morgunblaðið)
"It is bold, haunting and well written … once again Tyrfingur Tyrfingsson came and conquered.”
(J.S.J. Kjarninn)
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THE PLAY OF THE YEAR
Helgi Comes Apart won "Play of the Year" at the Icelandic Theatre awards, Gríma, 16th of June 2020.
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"Hij voert zijn personages op als gewelddadig, meedogenloos en machteloos, pelt hun onsympathieke buitenkanten zorgvuldig af en toont daarin onmiskenbaar een broze kern. Op die manier toont Tyrfingsson zich een buitengewoon interessant toneelschrijver als het gaat om het ontleden van psychologische kwetsuren. Hij is bikkelhard naar zijn personages, maar geeft ze altijd een reliëf van mededogen mee. Het einde is hoopvol, zij het tegen beter weten in: als zijn personages zich uiteindelijk verzoenen met hun eigen en elkaars onvermogen, gaat de wederzijdse behoefte aan genegenheid die achter al het verzet verscholen ligt, door merg en been.
Tyrfingsson levert hiermee een indrukwekkend stuk af, waarmee hij laat zien in hoeverre geweld en pijn per saldo terug te voeren zijn op liefde en onbeholpenheid."
Sander Janssens, theatre critic NRC
QUAND HELGI S'EST TU/ HELGI COMES APART
"La comédie noire bascule dans un genre qui convoque la tragédie grecque, où le destin funeste des êtres humains se révèle par des présages, des visions. Elle prend une ampleur plus universelle : conscience et responsabilité sont questionnées – la confrontation avec nos lâchetés, avec notre passivité consumériste, à notre endormissement face au désastre écologique annoncé."
Véronique Hotte, theatre critic
Published by:
Éditions l'Espace d'un instant
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Kartoflarze/ The Potato Eaters
Teatr Dramatyczny, Warsaw Poland
Photo K. Bąba
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COMMERCIAL OF THE YEAR
17. APRIL 2016
The Client shows up at an almost bankrupt advertising agency and asks the desperate Owner and his staff to make the commercial of the year. But for the commercial to work someone needs to die in it.
Director: Bergur Þór Ingólfsson
The Reykjavík City Theatre.
Photos: Grímur Bjarnason
BLÁSKJÁR
14. FEBRUARY 2014
Blue Eyes is a tragicomedy about the love of patriarchy and cruelty, where three adult siblings escape into fairy tales, especially the one about Blue Eyes and the gypsies who kept him captive.
Director: Vignir Rafn Valþórsson
The Reykjavík City Theatre
Photos: Íris Dögg Einars
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REVIEWS
Reviews:
★★★★★
http://www.dv.is/menning/2017/9/30/kartofluaeturnar/
★★★★1/2
https://www.mbl.is/folk/frettir/2017/09/26/a_vigvelli_heimilisins_4/
"The family drama The Potato Eaters opened last September and is proving to be both a critical hit and his most popular to date. In the play he returns to the family fold exploring the devastating consequences of love.
Tyrfingur’s plays deal with people on the fringes of society, gender politics and queerness of all kinds. Thematically, however, they speak to much larger societal ills yet they are somehow hopeful for the future. His writing style is sharp-witted, lyrical and tightly constructed."
Review of the Potato Eaters
Sigríður Jónsdóttir, theatre critic at Fréttablaðið and contributing writer at The Theatre Times
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★★★★
(M.G., Fréttablaðið)
"In Commercial of the Year the emphasis is not on story or a message and consequently not a storyline or development or characters that are copies of real people and the goal is not to write a play in the traditional meaning of the term. On the contrary. The goal is to construct a performance, a unified experience between actors and audience, where each and every one searches for a personal truth regarding the artistic references of the show. In this particular instance it is the consumer society and its ideology, i.e. the power of commercial persuasion.
Tyrfingur Tyrfingsson shows his power with a text that is both deeply thought out and cruel, intense, full of love or desire but also anger and misanthropy. This work has all of this and more."
From a review of Commercial of the Year
Dagný Kristjánsdóttir, professor of contemporary literature at The University of Iceland, hugras.is
Reviews for Bláskjár
"Wriggling with creativity…"
Þorgerður E. Sigurðardóttir
Icelandic National Radio - RUV
★★★★
"Here Tyrfingur proves what theatre enthusiasts strongly suspected: He is an inventive
and imaginative playwright who knows how to use theatre and all its tricks to a very high degree."
Friðrika Benónýsdóttir,
Cultural editor at Fréttablaðið
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RIGHTS & REPRESENTATION
Nordic Drama Corner
Performing Rights & Interest in Reading the Plays
T: +358 405706570
T: +31(0)20 6943399
Maison Antoine Vitez:
https://www.maisonantoinevitez.com/fr/auteurs-traducteurs/tyrfingsson-1285.html
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THE POTATO EATERS
Opening Lines
Lísa Why aren’t you wearing the shoes I gave you?
Brúna They’re too small. Why is your voice so hoarse?
Lísa Because no one talks to me. Do you know how much they cost?
Brúna It doesn’t matter, they’re too small.
Lísa 64,000 króna
Brúna They’re still too small.
Lísa I doubt such shoes are beautiful in very large numbers. Won´t your feet keep growing and growing without shoes to hold them in?
Brúna My feet haven’t gotten any bigger since puberty. But you were long gone before that happened.
Silence.
Lísa Are you at work right now? Or do you put on a fleece sweater without getting paid for it?
Brúna I’m on second shift.
Lísa Those shoes…
Brúna Mom, what are you going on about?
Lísa No, it’s just… Your shoes...
Brúna I didn’t come to Kópavogur for fashion tips!
Lísa You're the only one who doesn't want my advice.